Saturday, November 30, 2013

One Way of Doing Battle by Lisa Ciccarello

One Way of Doing Battle

When I touched my wrist to my chest
it was shorthand for love.

When I returned & the house was empty

I carried his body with me.

I burnt the ship to make the sword. I burnt
the sail to send the dead.

That was one way of doing battle.

Do you think I spent all this time with the hammer
just to drink at the well?

No.

I want to hold the neck of this flower until its
animal comes out.

There is nothing left of my home
so I carry my home with me

until I get another son.

A boy who sheared his hair
& stood before me.

Do you think I spent all this time with the blood in the barn
& the meat on the spit

with the horses’ thunder-black eyes
& foaming mouths

to get behind you? No.

One way of doing battle is to do nothing at all.

I lit the beacon

though I never planned to return.

This is the home I know now, the broad blade
the hewn post, barriers in place of a plain.

The axe in the dirt. The bone beneath.

Do you think I spent all this time in the bear-dark forest
in the wing-maze in the trap-howl

in the blade-hunt with the animals stringing up their dead

just to name the moon in the name
of my father?

I want to make this my home. I want

to burn this place & own the ashes of it.

I gave him the knife  

& he belonged to me.

Do you think I spent all this time with the bone-stilled body
in the stone bed

growing the great rope of my hair
moving from shield to shield

just to take your hand in marriage?

To have the chain
but not the charm?

I want to shut your mouth
with my fingers

& your eyes with my hammer.

You touch the metal blade to your metal sleeve,

but your neck is a village without a gate.

Do you think I spent all this time with the sword
just to be a simple daughter?

Beneath my bed I dig a trench.

I want to burn my enemy with the oil & torch

but when he fails to die in the fire
he comes back up burning.

This is no way to raise a child.




As I Grew Older by Langston Hughes

As I Grew Older

It was a long time ago.
I have almost forgotten my dream.
But it was there then,
In front of me,
Bright like a sun--
My dream.
And then the wall rose,
Rose slowly,
Slowly,
Between me and my dream.
Rose until it touched the sky--
The wall.
Shadow.
I am black.
I lie down in the shadow.
No longer the light of my dream before me,
Above me.
Only the thick wall.
Only the shadow.
My hands!
My dark hands!
Break through the wall!
Find my dream!
Help me to shatter this darkness,
To smash this night,
To break this shadow
Into a thousand lights of sun,
Into a thousand whirling dreams
Of sun! 


Thursday, November 28, 2013

Proposal by Fady Joudah

Proposal 

I think of god as a little bird who takes
To staying close to the earth,
The destiny of little wings
To exaggerate the wind
And peck the ground.

I see Haifa
By my father and your father’s sea,
The sea with little living in it,
Fished out like a land.

I think of a little song and
How there must be a tree.

I choose the sycamore
I saw split in two
Minaret trunks on the way
To a stone village, in a stone-thrower mountain.

Were the villagers wrong to love
Their donkeys and wheat for so long,
To sing to the good stranger
Their departure song?

I think of the tree that is a circle
In a straight line, future and past.
I wait for the wind to send 
God down, I become ready for song.

I sing, in a tongue not my own:
We left our shoes behind and fled.
We left our scent in them
Then bled out our soles.
We left our mice and lizards 

There in our kitchens and on the walls.
But they crossed the desert after us,
Some found our feet in the sand and slept,
Some homed in on us like pigeons,
Then built their towers in a city coffin for us . . .

I will probably visit you there after Haifa.
A little bird to exaggerate the wind
And lick the salt off the sea of my wings. I think

God reels the earth in when the sky rains
Like fish on a wire.

And the sea, each time it reaches the shore,
Becomes a bird to see of the land 
What it otherwise wouldn’t.
And the wind through the trees
Is the sea coming home. 


Tuesday, November 26, 2013

A Blessing from My Sixteen Years’ Son by Mary Karr

A BLESSING FROM MY SIXTEEN YEARS’ SON

I have this son who assembled inside me
during Hurricane Gloria. In a flash, he appeared, 
in a tiny blaze. Outside, pines toppled.

Phone lines snapped and hissed like cobras. 
Inside, he was a raw pearl: microscopic, luminous. 
Look at the muscled obelisk of him now

pawing through the icebox for more grapes. 
Sixteen years and not a bone broken, 
not a single stitch. By his age,

I was marked more ways, and small. 
He’s a slouching six foot three,
with implausible blue eyes, which settle

on the pages of Emerson’s “Self-Reliance” 
with profound belligerence.
A girl with a naval ring

could make his cell phone go buzz
or an Afro'ed boy leaning on a mop at Taco Bell– 
creatures strange as dragons or eels.

Balanced on a kitchen stool, each gives counsel 
arcane as any oracle’s. Rodney claims school 
is harshing my mellow. Case longs to date

a tattooed girl, because he wants a woman
willing to do stuff she’ll regret.
They’ve come to lead my son

into his broadening spiral. 
Someday soon, the tether
will snap. I birthed my own mom

into oblivion. The night my son smashed
the car fender, then rode home 
in the rain-streaked cop car, he asked, Did you

and Dad screw up much?
He’d let me tuck him in,
my grandmother’s wedding quilt

from 1912 drawn to his goateed chin. Don’t 
blame us, I said. You’re your own
idiot now. At which he grinned.

The cop said the girl in the crimped Chevy
took it hard. He’d found my son
awkwardly holding her in the canted headlights,

where he’d draped his own coat
over her shaking shoulders. My fault, 
he’d confessed right off.

Nice kid, said the cop.



 

Sunday, November 24, 2013

In California During the Gulf War by Denise Levertov

In California During the Gulf War

Among the blight-killed eucalypts, among
trees and bushes rusted by Christmas frosts,
the yards and hillsides exhausted by five years of drought,

certain airy white blossoms punctually
reappeared, and dense clusters of pale pink, dark pink—
a delicate abundance. They seemed

like guests arriving joyfully on the accustomed
festival day, unaware of the year's events, not perceiving
the sackcloth others were wearing.

To some of us, the dejected landscape consorted well
with our shame and bitterness. Skies ever-blue,
daily sunshine, disgusted us like smile-buttons.

Yet the blossoms, clinging to thin branches
more lightly than birds alert for flight,
lifted the sunken heart

even against its will. But not
as symbols of hope: they were flimsy
as our resistance to the crimes committed

—again, again—in our name; and yes, they return,
year after year, and yes, they briefly shone with serene joy
over against the dark glare

of evil days. They are, and their presence
is quietness ineffable—and the bombings are, were,
no doubt will be; that quiet, that huge cacophany

simultaneous. No promise was being accorded, the blossoms
were not doves, there was no rainbow. And when it was claimed
the war had ended, it had not ended.




Saturday, November 23, 2013

Simile by Rosanna Warren

Simile

As when her friend the crack Austrian skier, in the story
she often told us, had to face
his first Olympic ski jump and, from
the starting ramp over the chute that plunged
so vertiginously its bottom lip
disappeared from view, gazed
on a horizon of Alps that swam and dandled around him
like toy boats in a bathtub, and he could not
for all his iron determination,
training, and courage
ungrip his fingers from the railings of the starting gate, so that
his teammates had to join in prying
up, finger by finger, his hands
to free him, so

facing death, my
mother gripped the bed rails but still
stared straight ahead—and
who was it, finally,
who loosened
her hands?




 

Friday, November 22, 2013

Cloudless Snowfall By Franz Wright

Cloudless Snowfall

Great big flakes like white ashes
at nightfall descending
abruptly everywhere
and vanishing
in this hand like the host
on somebody’s put-out tongue, she
turns the crucifix over
to me, still warm
from her touch two years later
and thank you,
I say all alone—
Vast whisp-whisp of wingbeats
awakens me and I look up
at a minute-long string of black geese
following low past the moon the white
course of the snow-covered river and
by the way thank You for
keeping Your face hidden, I
can hardly bear the beauty of this world.



 

Thursday, November 21, 2013

The Follower by Seamus Heaney

The Follower

My father worked with a horse-plough,
His shoulders globed like a full sail strung
Between the shafts and the furrow.
The horse strained at his clicking tongue. 

An expert. He would set the wing
And fit the bright steel-pointed sock.
The sod rolled over without breaking.
At the headrig, with a single pluck 

Of reins, the sweating team turned round
And back into the land. His eye
Narrowed and angled at the ground,
Mapping the furrow exactly. 

I stumbled in his hob-nailed wake,
Fell sometimes on the polished sod;
Sometimes he rode me on his back
Dipping and rising to his plod. 

I wanted to grow up and plough,
To close one eye, stiffen my arm.
All I ever did was follow
In his broad shadow round the farm. 

I was a nuisance, tripping, falling,
Yapping always. But today 
It is my father who keeps stumbling
Behind me, and will not go away. 



 

Mid-Term Break by Seamus Heaney




Mid-Term Break
By Seamus Heaney

I sat all morning in the college sick bay
Counting bells knelling classes to a close.
At two o'clock our neighbours drove me home.

In the porch I met my father crying -
He had always taken funerals in his stride -
And Big Jim Evans saying it was a hard blow.

The baby cooed and laughed and rocked the pram
When I came in, and I was embarrassed
By old men standing up to shake my hand

And tell me they were "sorry for my trouble".
Whispers informed strangers I was the eldest,
Away at school, as my mother held my hand

In hers and coughed out angry tearless sighs.
At ten o'clock an ambulance arrived
With the corpse, stanched and bandaged by the nurses.

Next morning I went up into the room. Snowdrops
And candles soothed the bedside; I saw him
For the first time in six weeks. Paler now,

Wearing a poppy bruise on his left temple,
He lay in the four foot box as in his cot.
No gaudy scars, the bumper knocked him clear.

A four foot box, a foot for every year.



Wednesday, November 20, 2013

The Sky Is Low, the Clouds Are Mean by Emily Dickinson


The Sky Is Low, the Clouds Are Mean

The sky is low, the clouds are mean,
A travelling flake of snow
Across a barn or through a rut
Debates if it will go.

A narrow wind complains all day
How some one treated him;
Nature, like us, is sometimes caught
Without her diadem.
 

Tuesday, November 19, 2013

The Feel of Hands by Thom Gunn

The Feel of Hands
 
by Thom Gunn

The hands explore tentatively,
two small live entities whose shapes
I have to guess at. They touch me
all, with the light of fingertips
 
testing each surface of each thing
found, timid as kittens with it.
I connect them with amusing
hands I have shaken by daylight.
 
There is a sudden transition:
they plunge together in a full-
formed single fury; they are grown
to cats, hunting without scruple;
 
they are expert and desperate.
I am in the dark. I wonder
when they grew up. It strikes me that
I do not know whose hands they are.

Sunday, November 17, 2013

The Artist's Hand by D. A. Powell

The Artist’s Hand
 
for Mark di Suvero 

Nailbeds pink, deeper pink toward the cuticles,
      cuticles a little rough, but clean.
                              Obsessively clean. A little yellowing under the edges of the nails,
                              the fingers boney, bowing, and large knuckles where skin bunches like roses puckered on fabric.
                              A hand in need of moisturizer. A sanitized hand. A worried hand? Hands don’t worry. Spots that change. One that elongates into a question mark.
                              Well, hasn’t that hand done something?
                                         It is a form of making when it makes. But mostly the hand is an idle thing
      & therefore available for scrutiny unlike the artist himself, his stillness a form of motion,
                              intent upon a subject so close to his heart
                              that he must hold it out, away from all other limbs
                              and parts of the body, to see it as itself, a hand, agent of the mind and yet separate from all thought.
                              All his effort goes into the hand, and through the hand
                                         makes visible the scale of imagination, so that
                              what’s left is not the hand
                                         but its testament.